扬州教育学院学报2024,Vol.42Issue(1) :24-28.

歌诗《渭城曲》传唱与经典化的文化认同

Cultural Identity of the Canonization of the Song Poem Weicheng Tune

秦雅洁
扬州教育学院学报2024,Vol.42Issue(1) :24-28.

歌诗《渭城曲》传唱与经典化的文化认同

Cultural Identity of the Canonization of the Song Poem Weicheng Tune

秦雅洁1
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作者信息

  • 1. 安徽师范大学,安徽芜湖 241002
  • 折叠

摘要

《渭城曲》在中国诗歌配乐演唱的历史中独树一帜.此骊歌经历代变化,其内容几乎恒久不变,创作伊始的中和情感也令后人体悟.歌诗因演唱方式"三叠"产生欲发未发的别情,与儒家对文艺作品以理性节制情感的要求相契合.在中国传统中庸思想的影响下,此歌诗与送别行为的广泛受众产生文化共鸣,并通过逐代传唱,完成了经典化.

Abstract

Weicheng Tune is unique in the history of the Chinese poetry music singing.Although undergone changes over generations,this farewell song retained most of its content,which ensures the neutral emotion at its creation comprehensible by later generations.The singing method of"three repetitions"produces an implicit parting senti-ment,which is in line with the Confucian requirement for rational restraint of emotions in artistic works.Under the influence of the traditional Chinese doctrine of the Mean,this poem resonates with its wide audience with similar farewell experience,and has become a canon through generations of performance.

关键词

《渭城曲》/歌诗/传唱/中庸/经典化/文化认同

Key words

Weicheng Tune/song poems/sing/doctrine of the Mean/classic/cultural identity

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基金项目

安徽省大学生创新创业训练计划(S202010370030)

出版年

2024
扬州教育学院学报
扬州教育学院

扬州教育学院学报

影响因子:0.313
ISSN:1008-6536
参考文献量32
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