扬州教育学院学报2024,Vol.42Issue(2) :61-66,80.

图像与自我:论现代人自我观看的迷失与出口

Image and Self:On the Loss and Outlet of Modern Self-viewing

范红发
扬州教育学院学报2024,Vol.42Issue(2) :61-66,80.

图像与自我:论现代人自我观看的迷失与出口

Image and Self:On the Loss and Outlet of Modern Self-viewing

范红发1
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作者信息

  • 1. 云南师范大学,云南昆明 650500
  • 折叠

摘要

人们对自身形象的观看总是基于自我图像.无论是肖像、摄影或是自拍,基于图像的自我观看都充斥着大量非我的要素:他人的凝视、理想自我、滤镜美化等等.这些自我观看都是非本真的,人们容易迷失在自我图像的表面而忽视自我观看的实质.而在自我图像中,神情、眼神与姿势作为一种本真的存在需要经过还原才能得以显现.神情与眼神指向主体的精神,而姿势则指向主体的身体,它们共同构成一种本真的自我观看.

Abstract

People's perception of themselves is always rooted in their own images.Whether in portraits,photo-graphs or selfies,image-based self-viewing is filled with numerous extrinsic elements:the gaze of others,the ideal self,the effects of beauty filters,etc.These self-views are unauthentic,and people tend to be captivated by the su-perficial aspects of self-image while neglecting the essence of self-viewing.Within the self-image,expressions,ga-zes,and postures are an authentic existence which needs restoring in order to be fully presented.Expressions and gazes point to the subject's spirit,while postures point to the subject's body,and together they constitute an au-thentic form of self-viewing.

关键词

自我观看/图像/自拍/迷失/出口

Key words

self-viewing/image/portrait selfie/loss/outlet

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出版年

2024
扬州教育学院学报
扬州教育学院

扬州教育学院学报

影响因子:0.313
ISSN:1008-6536
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