耻感与死亡的具象化及其转向——《额尔古纳河右岸》的叙事与抒情
The Figuration of Shame and Death and Their Transformation——Narrative and Lyricism in The Last Quarter of the Moon
严家强1
作者信息
- 1. 广东机电职业技术学院,广东 广州 510515
- 折叠
摘要
在《额尔古纳河右岸》的叙事与抒情中,呈现得最多也最为深刻的是耻感与死亡.耻感的产生源于个体对道德规范的违背,它在日常中具象化为某种爱恨,并最终以死亡作为归宿.接受耻感成为自我的一部分,并把对死亡的反思从他人之死转向自身之死,重新塑造完整的自我.这个自我也就成为对抗耻感的力量,而死亡的悬临也将成为一种积极的生存力量.
Abstract
In The Last Quarter of the Moon,shame and death are the most frequently and profoundly presented in its narrative and lyricism.Shame arises from an individual's violation of moral norms.It is figuratively shown as a cer-tain kind of love-hate in daily life and ultimately ends in death.The acceptance of shame becomes a part of oneself,and changing the reflection on death from that of others'to one's own can reshape a complete self.This self then becomes a force against shame,and the imminence of death will also become a positive force for existence.
关键词
耻感/死亡/具象化/《额尔古纳河右岸》Key words
shame/death/figuration/The Last Quarter of the Moon引用本文复制引用
出版年
2024
NETL
NSTL
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