《伊凡诺夫》在俄罗斯的早期接受与评论
Early Reception and Criticism of Ivanov in Russia
刘溪1
作者信息
摘要
创作于1887年的《伊凡诺夫》是契诃夫第一部被搬上舞台并公开发表的大型剧目,反映了作者对时代思想的积极参与和对新戏剧形式的紧张探索.回溯俄罗斯评论界在1887至1905年间对《伊凡诺夫》接受的评价视野,可以看到早期评论界围绕该剧的主人公形象、思想和美学价值展开了激烈争论:舞台实现条件和契诃夫戏剧美学形式的不匹配,戏剧评价标准和契诃夫本人创作意图的不相符,是早期评论界拒绝该剧的主要外部原因;美学形式的"新旧混融"和主人公形象的复杂性,是早期和后续评论界对《伊凡诺夫》持续争议的内在原因.
Abstract
Ivanov,created in 1887,was Chekhov's first major play to be staged and publicly published,reflecting his active participation in the ideological trends of the time and his tense exploration of new dramatic forms.Reviewing the critical reception of Ivanov by the Russian intellectual community between 1887 and 1905,one observes a spirited discourse surrounding the play's protagonist,ideology,and aesthetic merit.The main external reason for the early criticism surrounding the play was attributed to the mismatch between the stage production conditions and Chekhov's dramatic aesthetics,as well as a divergence between the critical evaluation standards prevalent during that time and Chekhov's artistic intentions.The"mixing of old and new"in aesthetic form and the complexity of the protagonist's image are the internal reasons for the ongoing controversy surrounding Ivanov in both early and subsequent criticism.
关键词
契诃夫戏剧/《伊凡诺夫》/批评史Key words
Chekhov's drama/Ivanov/critical history引用本文复制引用
基金项目
2021年度国家社科基金艺术学一般项目(21BB030)
出版年
2024
NETL
NSTL
万方数据