首页|乾隆朝宫廷岁朝清供图流行原因探析

乾隆朝宫廷岁朝清供图流行原因探析

Popularity of New Year's Elegant Offering Painting in the Imperial Palace during the Qianlong Era

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节庆时分以物品组合方式构图的岁时清供绘画题材兴盛于明末清初的江南地区,通过当时在清宫占主导地位的江浙籍词臣与宫廷画家传入清宫.以董祥款《岁朝图》为代表的一系列岁朝清供图伪作赋予这类题材的"复古"意涵,成为其得到乾隆皇帝重视的直接诱因.出于复兴宋代宫廷节庆传统的愿望,乾隆皇帝创造出岁朝清供图配春帖子词的新形式,并使之在清宫成为定制.在帝王的倡导与词臣的奉迎之下,参与清宫岁朝清供图创作的群体包括帝王、兼善绘事的宗室子弟、词臣画家和宫廷画家,最终于清宫形成了岁朝清供图的流行风潮.
The new year's elegant offering painting(suizhao qinggong tu),which depicts arrangements of elegant items in festive settings,reached its zenith during the late Ming to early Qing period in the Jiangnan region and was introduced to the Qing imperial palace by influential literati officials and court painters native to Jiangsu and Zhejiang provinces.Counterfeit paintings,notably of Dong Xiang's works,that infused the new year's elegant offering painting with a sense of archaism directly contributed to the Qianlong Emperor's appreciation of the genre.Motivated by a desire to revive the Song dynasty tradition of palace celebrations,the Qianlong Emperor creatively combined the painting with"spring couplets",thus starting a new fashion.These factors as well as the participation of emperors,talented royal offspring,literati officials,and court painters in producing the artworks led to the popularity of new year's elegant offering painting in the imperial palace.

New year's elegant offering(suizhao qinggong)art in Qing imperial palacecounterfeit paintingpopularity

曹可婧

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北京服装学院,北京,100029

岁朝清供 清宫艺术 作伪 流行

2024

中国国家博物馆馆刊
中国历史博物馆

中国国家博物馆馆刊

CHSSCD北大核心
影响因子:0.202
ISSN:2095-1639
年,卷(期):2024.(11)