摘要
网络文学处于全面数据化的网络空间,依赖0和1来表征,是数据录入、数据存储、数据计算和数据表达的综合复杂呈现,具有明确的数据属性.但近30年的网络文学批评却存在着数据缺失"综合症"现象,不仅导致批评无法面向网络文学的火热现实,而且引发了一系列的弊病.以数据为中心,在网络文学的底层安放"装置",搭建批评的基座,建构数据批评新范式,并不是与印刷批评绝对割裂,而是在接续、更生的基础上,引入数据思维与视野,强调文学性与数据性兼顾、从定性走向定量与定性结合、从人走向人—机协同、从单一的学科批评走向跨学科的场域化、实证化批评.数据批评并不排斥传统网络文学批评的文化阐释,而是要以数据思维、模型为文化赋能.它不是功利性的数据崇拜,也不滑向计算主义或数据主义,而是为了更好地析出数据的经验、逻辑;更不是片面的数据分析、技术分析,而是对数据保持充分警惕基础上的、体现技术与人文相结合的批评.
Abstract
Taking data as the center,placing"devices"at the bottom of online literature,building a pedestal for criticism,and constructing a new paradigm of data criticism is not an absolute sepa-ration from print criticism,but to introduce data thinking and vision,and emphasize both literary and data nature,moving from qualitative to quantitative and qualitative combination,from human to human-machine collaboration,and from single disciplinary criticism to interdisciplinary field and empirical criticism.Data criticism is not a utilitarian worship of data,nor does it slide into computationalism or dataism,but to better precipitate the experience and logic of data;It is not a one-sided data analysis or technical analysis,but a criticism that reflects the combination of technology and humanity on the basis of maintaining full vigilance against data.
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