摘要
颜元叔在运用新批评理论进行本土化实用批评中,借鉴布鲁克斯的悖论方法,对杜甫诗作《春望》中语言、意象和诗篇布局的矛盾结构及其复义关系进行深入的解读,挖掘诗歌文本的丰富内蕴,但也指出其文本结构上的"鼠尾"弊端.某种程度上说,新批评对中国古典诗歌的阐释存在龃龉与矛盾,忽视了杜甫作为代表性诗人所依凭的儒家文化结构及其诗教传统,从而得出不当的结论.杜诗文本的有机整体性深受传统文化结构及其诗教的制约.在西方文论本土化批评实践中对中国诗人及其作品要有同情性态度,考虑文化诗学的面向,消除强制阐释带来的不利影响,使批评和研究更具科学性.
Abstract
In applying New Criticism to localized practical criticism,Yan Yuanshu draws on Brooks's paradoxical approach to interpret the contradictory structure of language,imagery and layout of Du Fu's poem Spring Hope,and the relationship between their compound meanings,in order to unearth the richness of the poetic text,while also pointing out the shortcomings of the textual structure of the poem,which is called"rat's tail."To a certain extent,New Criticism's inter-pretation of classical Chinese poetry is marked by inconsistencies and contradictions,ignoring the Confucian cultural structure and its poetic traditions on which Du Fu,as a representative poet,relies,and thus arriving at inappropriate conclusions.
基金项目
浙江省高校重大人文攻关计划青年重点项目(2018QN065)
NETL
NSTL
万方数据