摘要
"90后"城市文学已走过了 20年的发展历程,大体可分为三个阶段.第一阶段,张牧笛、顾文艳等通过作文大赛早早登录文坛的"90后",在城市理性的统摄下,以优美的语言、丰富的想象和娴熟的技巧表达城市生活感悟;第二阶段,何天白、苏笑嫣等将城市文学的写作重点由感悟转向现实,努力挖掘自己熟悉的生活领域内有关注度的城市话题;第三阶段,王占黑、郑在欢等以大城市外来者的身份重新审视城市,通过寻找被遗忘的角落、城乡破壁、创新叙事技巧等方式,实现城市空间的建构."90后"城市文学的主体性是突出的,但也蕴含着孤立和平面化的风险,如何在与城市融为一体的文学表达中实现对城市的再次辨认、反思和超越,需要这些年轻作家继续探索并给出答案.
Abstract
Urban literature by the post-1990s generation has developed for 20 years,which can be di-vided into three stages.In the first stage,Zhang Mudi,Gu Wenyan and others entered the liter-ary realm by means of essay competition at a very young age.Under the guidance of urban ra-tionality,they cast their insights on urban life with beautiful language,rich imagination and skillful techniques.In the second stage,writers such as He Tianbai and Su Xiaoyan shifted the focus of urban literature writing from perception to reality,trying to explore heated urban topics within their familiar aspects of life.In the third stage,Wang Zhanhei,Zheng Zaihuan and other writers revisit the cities as new comers and construct urban space by searching for forgotten cor-ners,breaking down the barriers between cities and the countryside,and innovating narrative techniques.
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