首页|时代印痕与地方记忆:论马识途早期创作风格的形成

时代印痕与地方记忆:论马识途早期创作风格的形成

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从1935年在《中学生》杂志发表《万县》到1959年《四川文学》发表《老三姐》,马识途文学完成从学生到革命家再到作家的创作嬗变.他早期的作品以诗歌为主,兼具小说、杂文,创作初期从西方小说以及中国古典小说和传奇中汲取营养,同时深受家乡四川民间艺人"摆龙门阵"手法的影响,具有"恋地情结"的地方性写作成为他最具标志性的个人风格.还原时代,溯及他与时代的"搏击",有助于更加透彻地理解马识途早期作品的艺术变迁及其创作风格的形成.
Hallmark of Time and Memory of Hometown:On the Formation of Ma Shitu's Early Writing Style
From"Wan Xian(《万县》)",a prose published on magazine Zhong Xue Sheng(《中学生》)in 1935,to"Lao San Jie"(《老三姐》),a short story published on Sichuan Literature(《四川文学》)in 1959,Ma Shitu passed through a path of literary creation,during which he achieved an identity transition from a student to a revolutionist,thence to a writer.Poetry is the main form of his early works,there are also some fictions and essays.Though western novels,Chinese classic novels and tales of marvels did give him inspirations,"bai long men zhen(摆龙门阵)",a typical creating mode from folk artisans in his hometown Sichuan,should be recognized as Ma's deepest creation concept.The writing with a strong"Native Complex"vibe has become his most iconic style.The article aims to look back upon Ma's inspiring life struggle in his days,which is helpful to the understanding of the transition of his early works as well as the formation of his writing style.

Ma ShituNative ComplexNative Writing

冯俊锋、张旻昉

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四川省社会科学院,四川 成都610071

四川省文化产业职业学院

四川省社会科学院马识途研究中心,四川 成都610213

马识途 恋地情结 地方性写作

2024

中华文化论坛
四川省社会科学院

中华文化论坛

CSTPCDCHSSCD北大核心
影响因子:0.184
ISSN:1008-0139
年,卷(期):2024.(2)
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