摘要
本文從《通鑑續編》編纂者陳桱的時代著録問題入手,將其置於特定的時代背景,考察陳桱的家學淵源與學术交往.在此基礎上,重點闡發陳桱以宋爲正統的編纂動機,揭示其試圖超越王朝史觀的意識.不大爲人所知的《通鑑續編》以外的陳桱其他著作,亦有竭澤而漁的考述.對陳桱在元末明初政治參與的考察,則具體展示了傳統社會中一介書生在時代大潮翻弄下大起大落的悲劇人生.
Abstract
Initiating with the historical recording issues in Chen Jing's Tong Jian Xu Bian and contextualizing it within a specific historical context,this paper delves into Chen Jing's familial scholarly roots and academic interactions.Based on such foundation,it focuses on expounding Chen Jing's motivation for compiling,which designated the Song Dynasty as the orthodox,to reveal his conscious effort to transcend the dynastic historical perspective.Beyond Tong Jian Xu Bian,this paper also conducts a comprehensive investigation into Chen Jing's other relatively unknown works.Through a specific investigation of Chen Jing's political participation in the late Yuan Dynasty and the early Ming Dynasty,this study illustrates the tragic life of a literati buffeted by the trend of the times in traditional society.
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