Husserl's phenomenology emphasizes facing things themselves,seeking to explore the existence of things from the perspective of ontology,and at the same time points out the dimension of intersubjectivity between subjects,requiring a holistic view of things from the perspective of axiology.This is of reference significance for comprehensively understanding and grasping Fu Baoshi's painting thought and creation.Fu Baoshi always adheres to the national position and emphasizes the traditional path of Chinese painting,which actually stems from his ontological positioning and confirmation of Chinese painting art;Fu Baoshi believes that Chinese painting should change with time,emphasizing the realistic spirit and the character of the times,which is based on the axiology dimension of Chinese painting art.This idea of artistic creation,which not only adheres to the national standard but also actively responds to the social life of the times,fundamentally answers the question of how China's artistic modernization should be,and has important enlightenment significance for the current artistic modernization.
关键词
傅抱石/现象学/民族性/时代性/现代化
Key words
Fu Baoshi/phenomenology/nationality/times/modernization
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