豫章师范学院学报2024,Vol.39Issue(1) :24-28.

从"形似"论探析柳永词中的北宋风景与绘画

An analysis of the landscapes and paintings of the Northern Song dynasty in Liu Yong's Ci from the perspective of"Appearance Similarity"

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豫章师范学院学报2024,Vol.39Issue(1) :24-28.

从"形似"论探析柳永词中的北宋风景与绘画

An analysis of the landscapes and paintings of the Northern Song dynasty in Liu Yong's Ci from the perspective of"Appearance Similarity"

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作者信息

  • 1. 陕西理工大学人文学院 陕西汉中 723000
  • 折叠

摘要

词作为一种文学体裁,发展至北宋,表现领域不断开阔,词人兼具画家眼光,积极把握各种风景,词也同其他文体一样具备"形似"特征."形似"论在词与画中的互动阐明了这一文论的发展溯源和词画领域之间的"出位之思".柳永词中的北宋风景借鉴绘画创作的视觉感知,仿若身临其境,其山水风光之词,镜头感极强,形似逼真;其都市气象之词,画面感扑面而来,巧构形似.在"形似"论的艺术审美风尚观照下,表现在柳永词中的审美追求为"了然境像,故得形似"和"词中有画,画中有韵".

Abstract

Ci,as a literary genre,developed until the Northern Song Dynasty,with a constantly expanding field of expres-sion.Ci writers had both a painter's perspective and actively grasped various landscapes.Ci also possessed the characteristic of"similarity in form"with other literary genres.The interaction of the theory of"similarity in form"in Ci and painting elucidates the development of this literary theory and the"transcendent thinking"between the fields of Ci and painting.The scenery of the Northern Song Dynasty in Liu Yong's poetry draws inspiration from the visual perception of painting creation,mimicking being in person.His words on landscape scenery have a strong sense of camera,and the shape seems lifelike;The words'urban mete-orology'evoke a sense of imagery and cleverly construct similar shapes.Under the aesthetic trend of the theory of similarity in form,the aesthetic pursuits expressed in Liu Yong's poetry are"clear understanding of the scene,resulting in similarity in form"and"there is painting in the poetry,and the charm in the painting".

关键词

形似/柳永词/北宋风景/绘画

Key words

Appearance Similarity/Liu Yong's Ci/scenery of the Northern Song dynasty/painting

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出版年

2024
豫章师范学院学报

豫章师范学院学报

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参考文献量17
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