摘要
黄庭坚诗歌的转折主要有表现对象的转换、表达方式的变化、情感状态的起伏、叙事内容的曲折和时空变换五种主要形式.在表现对象的转换时以平行、对立、冲突的结构形式对应不同的主题;在表达方式的变化中通过个别词语的双关作用连接上下文;在情感状态的起伏方面使作品呈现出抑扬变化的抒情效果,表现复杂的心态;在叙事时通过曲折的表达增加情节吸引力,展现祸福变化的无常人生;在时空变换上很少依靠题画诗的突然性叙述层级变化追求震惊效果,而多表达对画面境界的向往.体现了宋诗在唐诗意境美之外,通过表达形式的探索,构建独特美学风貌的追求.
Abstract
The transitions in Huang Tingjian's poetry mainly manifest in five forms:the transformation of subjects,the var-iation of expression methods,the fluctuations of emotional states,the complexity of narrative content,and the shifts in time and space.When transforming subjects,he adopts parallel,contrasting,or conflicting structures to correspond with different themes.In the variation of expression methods,he uses puns in individual words to connect the context.Regarding the fluctua-tions of emotional states,his works present a lyrical effect of rising and falling,expressing complex mental states.In narration,he employs complexity to enhance the plot's appeal,showcasing the unpredictability of fortune and misfortune in life.In terms of shifts in time and space,he seldom relies on the sudden narrative changes typical of inscribed poems to shock the reader,but rather expresses a longing for the visual realm depicted in the painting.This reflects how Song poetry,beyond the aesthetic beau-ty of Tang poetry,explores various forms of expression to construct a unique pursuit of aesthetic style.
维普
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