豫章师范学院学报2024,Vol.39Issue(6) :40-46.

论傅抱石山水画的审美取向与艺术创新

On the aesthetic orientation of Fu Baoshi's landscape paintings and his artistic innovation

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豫章师范学院学报2024,Vol.39Issue(6) :40-46.

论傅抱石山水画的审美取向与艺术创新

On the aesthetic orientation of Fu Baoshi's landscape paintings and his artistic innovation

高升1
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作者信息

  • 1. 河南大学文学院 河南郑州 450046;郑州西亚斯学院文法学院 河南郑州 451150
  • 折叠

摘要

傅抱石的山水画具有深厚的美学底蕴.他在继承传统山水画美学精神的基础上,又将传统笔墨与现代审美相结合,创造出一种新山水画图式.他注重追求诗画合一的艺术境界,着眼于山水中的诗意呈现,讲究诗意与韵律的有机交融,从而建构了别开生面的诗性空间.在此基础上,傅抱石的山水画又通过变化多端的笔墨技法、诗意的构图布局与深远空灵的意境,完成了其山水画艺术的新变.这对传承传统美学精神、启示与引领现代艺术、增进国际艺术交流和文化互鉴等方面,具有重要的价值与意义.

Abstract

Fu Baoshi's landscape painting has a profound aesthetic foundation.On the basis of inheriting the aesthetic spirit of traditional landscape painting,he also combines traditional ink and modern aesthetics to create a new landscape painting pat-tern.At the same time,he emphasizes the pursuit of the artistic realm of integrating poetry and painting,focusing on the poetic presentation in mountains and rivers,and emphasizing the organic integration of poetry and rhythm,thus constructing a unique poetic space.On this basis,Fu Baoshi's landscape painting has completed a new transformation in his landscape painting art through his diverse brushstroke techniques,poetic composition layout,and profound and ethereal artistic conception.This has important value and significance for inheriting the spirit of traditional aesthetics,inspiring and leading modern art,enhancing in-ternational art exchange and cultural exchange.

关键词

傅抱石/山水画/审美取向/艺术创新

Key words

Fu Baoshi/landscape painting/aesthetic orientation/artistic innovation

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出版年

2024
豫章师范学院学报

豫章师范学院学报

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