豫章师范学院学报2024,Vol.39Issue(6) :56-60.

革命历史题材影视作品的红色美学意蕴

The implication of red aesthetic of the film and television works about revolutionary history

杨翠娟
豫章师范学院学报2024,Vol.39Issue(6) :56-60.

革命历史题材影视作品的红色美学意蕴

The implication of red aesthetic of the film and television works about revolutionary history

杨翠娟1
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作者信息

  • 1. 盐城幼儿师范高等专科学校学前教育学院 江苏盐城 224005
  • 折叠

摘要

革命历史题材影视作品佳作纷呈,富有红色美学意蕴.红色美学内涵丰富,意蕴深远,既包含善养浩然之气的人格美学、以天下为己任的崇高美学和舍生取义的牺牲美学的传统美学基因,又有着除旧布新的革命美学、文化权力的政治美学和实事求是的实践美学的马克思主义美学内核.新时代以来,通过多元红色叙事,融合大众审美文化元素,红色美学展现了丰富的红色审美张力.红色美学特征鲜明,具有人民性、实践性和创新性等特征.

Abstract

There are colorful film and television works about revolutionary history,which have rich meaning of red aesthet-ics.It encompasses traditional aesthetic genes such as the of cultivating noble character,the sublime aesthetic of taking the word as one's responsibility,and the sacrificial aesthetic of self-sacrifice.It also contains the Marxist aesthetic core of revolutionary aesthetics,political aesthetics of cultural power,and practical aesthetics which seek truth from facts.In the new era,red aes-thetics have rich red aesthetic forces by multiple red narration and blending the elements of popular aesthetic culture.People na-ture,practicality,and innovation are the remarkable features of it.

关键词

红色美学/革命历史题材影视作品/政治美学/革命美学/实践美学

Key words

red aesthetics/film and television works about revolutionary history/political aesthetics/revolutionary aesthet-ics/practical aesthetics

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出版年

2024
豫章师范学院学报

豫章师范学院学报

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