豫章师范学院学报2024,Vol.39Issue(6) :61-66,89.

鄱阳湖域西汉海昏侯墓漆艺图式文化传承研究

Research on the cultural inheritance of lacquer art patterns from the tomb of the marquis of Haihun in the Poyang Lake region during the Western Han dynasty

戴沂君 胡海
豫章师范学院学报2024,Vol.39Issue(6) :61-66,89.

鄱阳湖域西汉海昏侯墓漆艺图式文化传承研究

Research on the cultural inheritance of lacquer art patterns from the tomb of the marquis of Haihun in the Poyang Lake region during the Western Han dynasty

戴沂君 1胡海2
扫码查看

作者信息

  • 1. 江西服装学院艺术设计学院 江西南昌 330038
  • 2. 豫章师范学院美术学院 江西南昌 330103
  • 折叠

摘要

文章以西汉海昏侯墓出土的漆器物图式为切入点,深入剖析在鄱阳湖域多元文化的交融背景中,海昏侯漆艺的起源脉络、图式的细致分类,对其图式中蕴含的深厚文化寓意进行系统梳理与分类,旨在探讨西汉时期鄱阳湖域赣豫章郡漆艺民俗图式的文化扬弃,对其传统文化在当代的传承与传播作出思考.

Abstract

The article uses the lacquerware patterns unearthed from the tomb of the Marquis of Haihun in the Western Han Dynasty as an entry point to deeply analyze the origin and development of the lacquer art of the Marquis of Haihun,the detailed classification of its patterns,and the systematic organization and classification of the profound cultural meanings embedded in these patterns.This analysis is conducted within the context of the multicultural integration in the Poyang Lake region.The pa-per aims to explore the cultural sublimation of lacquer art folk patterns in the Poyang Lake region and the Gan YuZhang com-manderies during the Western Han period,as well as reflect on the inheritance and dissemination of this traditional culture in contemporary times.

关键词

鄱阳湖域/海昏侯墓/漆艺图式/文化传播

Key words

Poyang Lake region/Tomb of the Marquis of Haihun/lacquer art patterns/cultural transmission

引用本文复制引用

出版年

2024
豫章师范学院学报

豫章师范学院学报

ISSN:
段落导航相关论文