首页|黔南苗族传统纹样的演变及其美学特征

黔南苗族传统纹样的演变及其美学特征

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黔南苗族传统纹样是黔南苗族人民生活方式、精神信仰与审美风格的集中体现,是研究其历史文化的重要窗口.文章以黔南苗族传统纹样作为研究对象,采用调查研究法与比较互证法,从黔南苗族传统纹样的基本形态入手,探究其成型及演化过程,进而从纹样造型方式、构成形式、色彩风格与美学内涵四个方面分析黔南苗族传统纹样的美学特征.研究发现:黔南苗族传统纹样源自其历史文化生活与宗教精神信仰,并随着族群的迁徙融合形成传承、再创与发展的良性循环,在此过程中形成了纹样特殊的美学表达形式,蕴含着黔南苗族"万物有灵"的美学内涵.该研究可为后续的苗族纹样创新设计提供借鉴,促进现代艺术风格融入新的设计语言.
Evolution and aesthetic characteristics of traditional patterns of the Miao nationality in Qiannan
;The traditional patterns of the Miao nationality in Qiannan are the concentrated embodiment of the life style,spiritual belief and aesthetic style of the Miao people in Qiannan,and are an important window to study their history and culture.Taking the traditional patterns of the Miao nationality in Qiannan as the research object,this paper adopts the method of investigation,research and comparative cross-evidence to explore the formation and evolution process of the basic forms of the traditional patterns of the Miao nationality in Qiannan,and then analyzes the aesthetic characteristics of the traditional patterns from the four aspects of pattern modeling,composition,color style and aesthetic connotation.It is found that the traditional patterns of the Miao nationality in Qiannan originated from their historical and cultural life and religious spiritual belief,and have formed a virtuous cycle of inheritance,re-creation and development with the migration and integration of ethnic groups.In this process,the special aesthetic expression forms of the patterns are formed,which contains the aesthetic connotation of"animism"of the Miao nationality in Qiannan.This provides a reference for the innovative design of Miao patterns,and integrates a new design language for modern art styles.

the Miao nationality in Qiannantraditional patternoriginevolutionaesthetic characteristics

曲艺、张红霞、祝成炎、马一心、王宇轩、谢雯

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浙江理工大学纺织纤维材料与加工技术国家地方联合工程实验室,杭州 310018

黔南苗族 传统纹样 起源 演变 美学特征

国家文化和旅游科技创新工程项目浙江省高等教育"十三五"第二批教学改革研究项目

文旅科教发[2021]83号jg20190135

2024

浙江理工大学学报
浙江理工大学

浙江理工大学学报

影响因子:0.311
ISSN:1673-3851
年,卷(期):2024.52(4)
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