《现代》杂志的编辑选择与左翼文艺风貌
The Editorial Choice and Left-wing Literary Landscape of the Magazine Modern
郭萌萌1
作者信息
- 1. 中共中央党校 文史教研部,北京 100091
- 折叠
摘要
1930年代,国民党当局对左翼文学的清理查禁越来越严格.作为一本新潮的纯文学杂志,宣称走"中间路线"的《现代》(1932)(截至 5 卷 6 期)却刊登了大量无产阶级艺术作品及理论,反映着当时无产阶级艺术在中国的最新发展.前后参与并影响《现代》杂志编辑工作的至少有 7 人,他们在文学观念、政治立场和杂志利益取向上都有区别.并且,当时左翼文学理论并没有形成完整稳定的框架.从而在文化价值、政治取向、经济利益和理论发展几重效应叠加下,《现代》杂志的编辑选择呈现出独特的左翼文艺风貌.
Abstract
In the 1930s,the authorities clamped down on left-wing literature more and more strictly.As a fashionable pure literature magazine,"Modern(1932)"(up to the 6th issue of the 5th volume),which claimed to take the"middle line",published many proletarian artistic works and theories,reflecting the latest development of proletarian art in China at that time.At least seven people participated in and in-fluenced the editorial work of Modern.They were different in literary ideas,political position and the in-terest orientation of the magazine.Moreover,left-wing literary theory did not form a complete and stable framework at that time.Thus,under the superposition of cultural value,political orientation,economic interests and theoretical development,the editor selection of Modern presents a unique left-wing literary landscape.
关键词
《现代》(1932)/施蛰存/编辑因素/左翼理论Key words
Modern(1932)/Shi Zhecun/editing factors/left-wing theory引用本文复制引用
出版年
2024
NETL
NSTL
万方数据