Immanuel Kant's Schema theory,grounded in his transcendental methodology,reconciles the heterogeneity between categories and appearances,establishes the universality and unity of schemas and serves as the foundation for knowledge judgment.In the realm of art research,the principles of this theory elucidate the artist's transformation from the intuitive sensibility to intellectual schemas,making possible the visual imaging and revealing the implicit manifestation of the internal sensation within the mapping of visual perception.This internal process of perception and imagination arises from the interac-tion between the viewer's sensuous experience and intellectual understanding of the artwork,thereby be-coming an integral part of their cognitive structure.As conceptual schemas,the paintings are more than mere representation when stimulating the viewer's imagination and memory.
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