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隐性视觉:美术中的图式化演绎

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康德的图式理论,调和了范畴与显象的异质,基于其先验方法论,确立图式的普遍性和统一性,为知识判断提供基础.在美术研究中,该理论的原理分析能够阐释艺术家从感性直观到知性图式的转化过程,并使可视化成像的演绎成为可能.同时揭示内感在视觉知觉映射中的隐性显现,这一内在的感知和想象过程,是观者对艺术作品的感性体验与知性理解互动的结果,构成了其认知结构的一部分.当绘画作为概念性图式激发出观者的想象力与记忆力时,便超越了单纯再现的解释.
Implicit Vision:The Schematism of Art
Immanuel Kant's Schema theory,grounded in his transcendental methodology,reconciles the heterogeneity between categories and appearances,establishes the universality and unity of schemas and serves as the foundation for knowledge judgment.In the realm of art research,the principles of this theory elucidate the artist's transformation from the intuitive sensibility to intellectual schemas,making possible the visual imaging and revealing the implicit manifestation of the internal sensation within the mapping of visual perception.This internal process of perception and imagination arises from the interac-tion between the viewer's sensuous experience and intellectual understanding of the artwork,thereby be-coming an integral part of their cognitive structure.As conceptual schemas,the paintings are more than mere representation when stimulating the viewer's imagination and memory.

schema theorypaintingAntoni Tapiesmixed media

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岭南师范学院美术与设计学院,广东湛江 524048

图式理论 绘画 安东尼·塔皮埃斯 综合材料

2024

岭南师范学院学报
湛江师范学院

岭南师范学院学报

CHSSCD
影响因子:0.177
ISSN:1006-4702
年,卷(期):2024.45(5)