首页|明末清初戏曲家包燮行实及其《云石会》传奇考

明末清初戏曲家包燮行实及其《云石会》传奇考

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包燮是明末清初的戏曲家,其负才不遇,结交了很多像闻性道一样入清后绝意仕进的同道中人.包燮的《云石会》传奇现存清康熙间刻本,剧作以"谪仙""度脱"为架构模式,不拘泥于本事,为表达主题灵活架构剧作情节.从创作意图来看,作者借鬼佛仙道等具有神仙道化色彩的内容抒发胸怀,表现出易代之际的遗民情怀和文士苦闷.《云石会》传奇以"云石"为创作主线,融入了大量的宁波历史人文典故、古迹景观,生动地反映了社会现状,以及特殊历史时期宁波地区遗民的心态.
Textual Research on Yun Shi Hui and Dramatist's Life of Bao Xie in the Late Ming and Early Qing Dynasties
Bao Xie is a dramatist in the late Ming and early Qing dynasties,who's talent having been unnoticed.He made many like-minded friends like Wen Xingdao who refusing to serve as an official in Qing Dynasty.The Chuanqi opera Yun Shi Hui still exists as the Qing Kangxi edition.The opera is based on the framework of"banishing immor-tals"and"transcendental liberation",and is not limited to the original story.The Chuanqi opera plot is flexibly structured to express the theme.From the perspective of creative intention,the author expresses his feelings through the use of Daoist content,such as ghosts,buddhas,and immortals,expressing adherents of feelings and the hard-ships of the literati during the changes of dynasties.The opera Yun Shi Hui takes"Yun Shi"as the main clues,in-tegrating a large number of historical and cultural allusions,historical sites and landscapes of Ningbo,vividly reflec-ting the social status quo and adherents of feelings of Ningbo during the special historical period.

the late Ming and early Qing dynastiesBao XieYun Shi HuiChuanqi opera

吴秀明

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江苏开放大学艺术学院(南京 210036)

明末清初 包燮 《云石会》 传奇

南京大学新时代文科卓越研究计划中长期研究专项

202203

2024

浙江艺术职业学院学报
浙江艺术职业学院

浙江艺术职业学院学报

影响因子:0.195
ISSN:1672-2795
年,卷(期):2024.22(1)