首页|环境式越剧《新龙门客栈》:从情感表达、本体博弈到粉丝效应的破圈思考

环境式越剧《新龙门客栈》:从情感表达、本体博弈到粉丝效应的破圈思考

扫码查看
由百越文创、一台好戏联合浙江小百花越剧院、温州越剧院创排的环境式越剧《新龙门客栈》不仅突破了传统演出市场困境,持续获得高票房、高评价,借助青春化的演绎和偏写实化的表演手法,越剧成功打造了全新的"偶像"形象,引发了广泛的关注和热议,实现了破圈传播.创作者试图在一种与观众的平等对话的整体创作中,跳脱出对于性别想象本身的局限,表达出了一种对于情感观照和视觉快感的并行需求,即高度的青春话语中所蕴含的强烈的共同体情感观照和舞台视觉特效与身体经验营造的沉浸式快感体验.围绕在其中的则必然是越剧本体的博弈,这既彰显了一种现代化剧场演出的自卑焦虑,也提供了一种突破窠臼的可能性.
Environmental Style Yue Opera New Dragon Gate Inn:Circle-Breaking Thinking From Emotional Expression,Ontological Game to the Fan Effect
By Baiyue Wenchuang,a good play in conjunction with Zhejiang Xiaobaihua Yueju Theatre and Wenzhou Yueju Theatre,the environmental style Yue opera New Dragon Gate Inn not only broke through the traditional per-formance market difficulties,continued to obtain high box office and high evaluation,but also successfully created a brand new image of"idol"with the help of youthful interpretation and realistic performance techniques,which led to widespread attention.With the help of youthful interpretation and realistic performance techniques,Yue opera has successfully created a new"idol"image,which has attracted wide attention and hot discussion,and realized the cir-cle-breaking communication.The creators attempted to break away from the limitations of gender imagery in the over-all creation of a dialogue with the audience on an equal footing,expressing a parallel demand for emotional illumina-tion and visual pleasure,i.e.the strong communal emotional illumination embedded in the discourse of heightened youth,and the immersive experience created by the stage's visual special effects and bodily experience.Surrounding this is the game of Yue opera ontology,which highlights the anxiety of inferiority of modern theater performances,and also provides a possibility to break through the mold.

women's Yue operaYue opera performanceemotional spaceyouthizationNew Dragon Gate Inn

马潇婧

展开 >

北京印刷学院新媒体学院(北京 102600)

女子越剧 越剧表演 情感空间 青春化 《新龙门客栈》

2024

浙江艺术职业学院学报
浙江艺术职业学院

浙江艺术职业学院学报

影响因子:0.195
ISSN:1672-2795
年,卷(期):2024.22(4)