首页|中爪哇佳美兰乐器"列巴布"之"前世今生"——历史使然的多元音乐文化融合

中爪哇佳美兰乐器"列巴布"之"前世今生"——历史使然的多元音乐文化融合

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目前国内外学界对中爪哇佳美兰乐器之一列巴布关注和研究较少.列巴布与阿拉伯乐器拉巴卜之间具有历史渊源关系,其在印尼的演变正是阿拉伯、印度、印尼-爪哇三种文化交流、融合的过程.列巴布在乐器本体、乐音体系、音乐形态和审美观念、演奏思维等方面均体现出了文化多元性特征.列巴布是中爪哇佳美兰乐队中唯一的弓弦乐器,拥有领导性的功能与地位,而关于"和谐"和"等级"的中爪哇社会文化观念和哲学思想显然对列巴布的"领导"实践产生了深刻的影响,使其具有了一定的社会文化象征意义.
Past and Present of the Central Java Gamalan Instrument Rebab—Historical Fusion of Diverse Musical Cultures
Currently,there is relatively little attention and research on the rebab,one of the instruments in the Java-nese Gamelan,both domestically and internationally.The rebab has historical ties to the Arab instrument rabab,and its evolution in Indonesia reflects the process of cultural exchange and fusion among Arab,Indian,and Indonesian-Javanese cultures.The rebab embodies characteristics of cultural diversity in aspects such as its instrumental form,tonal system,musical forms,aesthetic concepts,and performance thinking.As the only bowed string instrument in the Central Javanese Gamelan ensemble,the rebab holds a leading function and status.Furthermore,the Javanese so-cial and cultural concepts and philosophical ideas regarding harmony and hierarchy have evidently had a profound im-pact on the rebab's leadership practice,giving it a certain social and cultural symbolic significance.

rebabrababCentral Javagamelanmulticultural integration

李欣阳

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中央音乐学院(北京 100031)

列巴布 拉巴卜 中爪哇 佳美兰 多元文化融合

2024

浙江艺术职业学院学报
浙江艺术职业学院

浙江艺术职业学院学报

影响因子:0.195
ISSN:1672-2795
年,卷(期):2024.22(4)