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融媒体时代鄂西北端公舞的破圈与突围

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鄂西北端公舞,作为融汇先秦时期楚国宫廷与民间巫术传统的中华文化瑰宝,凭借其精湛的手诀、活力四射的舞步与充满仪式感的身体语言,生动诠释了楚地先民对自然、生殖及图腾的崇拜,深深烙印着楚文化的独特韵味,是中华民族宝贵的文化遗产与精神财富.互联网浪潮的兴起,一方面在不断挤压着端公舞的生存空间;另一方面,通过媒介技术的变革推动融媒体时代的到来,催生了端公舞新的发展机遇.要实现鄂西端公舞在新时代的破圈与突围,需聚焦于文化内核、技术创新与场景营造三个维度,通过多元融合的传播框架,建构新时代民族民间舞蹈传播新范式,以实现其创造性转化和创新性发展.
Breaking Boundaries and Making Breakthroughs of Duangong Dance in Northwestern Hubei in the Era of Integrated Media
Duangong dance in Northwestern Hubei,a cultural treasure of China that converges court and folk shamanistic traditions,vividly embodies the worship of nature,fertility,and totems by the early inhabitants of the Chu region through intricate hand gestures,dynamic dance movements,and ritualistic body language.Imbued with the unique charm of Chu culture,it stands as a valuable cultural heritage and spiritual asset of the Chinese nation.The advent of the internet has,on one hand,increasingly compressed the living space for Duangong dance;on the other hand,technological advancements in media have ushered in the era of integrated media,creating new develop-ment opportunities for Duangong dance.To achieve the breakthrough and expansion of Duangong dance in the new era,it is necessary to focus on three dimensions:cultural essence,technological innovation,and scenario creation.With the construction of a multi-dimensional,integrated communication framework,a new paradigm for the dissemi-nation of ethnic and folk dances can be established,enabling the creative transformation and innovative development of Duangong dance.

Duangong danceethnic and folk dancemedia integrationdance communication paradigm

杜鹏

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中南民族大学音乐舞蹈学院,湖北武汉 430074

端公舞 民族民间舞 融媒体时代 媒介融合 舞蹈传播范式

2024

中南民族大学学报(人文社会科学版)
中南民族大学

中南民族大学学报(人文社会科学版)

CSTPCDCSSCICHSSCD北大核心
影响因子:0.696
ISSN:1672-433X
年,卷(期):2024.44(11)