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中国式现代化的多重镜像——由新时期以来蒙汉女性写作的乡村女性形象说起

The Multiple Mirror Images of Chinese Modernization——Starting From The Imagination of Rural Women in Mongolian and Han Women's Writing Since the New Period

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新时期以来蒙汉两个民族女性作家有关乡村女性的表述,是女性知识主体对中国式现代化发言的一种方式.无论是作为"风景"的乡村女性形象,还是传统乡村情境中女性受难者形象,在一定程度上都提供了有别于同类型男性创作的文学镜像,较深入地表现了中国社会现代化进程中乡村女性的真实处境,以及内在的差异性和差序性.
Since the new period,the expression of rural women by Mongolian and Han female writers is a way for female knowledge subjects to speak about Chinese modernization. Both the rural female image as a "land-scape" and the female victim image in the traditional rural context,to a certain extent,provide a literary mir-ror that is different from the male creation of the same type,and more deeply express the real situation of ru-ral women in the process of Chinese social modernization,as well as the inherent difference and difference.

Chinese ModernizationMongolian and Han Women's WritingRural Women

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赤峰学院 蒙古学学院,内蒙古 赤峰 024000

中国式现代化 蒙汉女性写作 乡村女性

2024

赤峰学院学报(哲学社会科学版)
赤峰学院

赤峰学院学报(哲学社会科学版)

影响因子:0.201
ISSN:1673-2596
年,卷(期):2024.45(11)