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新主流电影的"重认"与拓展—以《封神第一部》为例

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新主流电影与主旋律电影间存在的历史惯性,催生了将新主流电影等同于"革命历史题材"或"重大题材"电影的趋势.然而,这一趋势一方面在现实层面限制了新主流电影的创作空间,同时在理论层面也存在局限,特别是对传统文化与新主流电影之间深层关系的忽视.本文以《封神第一部》为例"重认"新主流电影的边界与可能.
The Reaffirmation and Expansion of New Mainstream Cinema:A Case Study of Creation of The Gods Ⅰ:Kingdom of Storms
The historical inertia between New Mainstream Cinema and Main Melody films has fostered a ten-dency to equate New Mainstream Cinema with 'revolutionary historical themes' or 'significant national subjects.' However,this trend restricts the creative space of New Mainstream Cinema at a practical level,while also im-posing theoretical limitations,particularly by overlooking the profound relationship between traditional culture and New Mainstream Cinema. This paper uses Creation of the Gods Ⅰ:Kingdom of Storms as a case study to 'reconceptualize' the boundaries and possibilities of New Mainstream Cinema.

Creation of the Gods Ⅰ:Kingdom of StormsNew Mainstream CinemaTraditional CultureGenre Film

孙夕然

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白城师范学院 传媒学院,吉林 白城 137000

《封神第一部》 新主流电影 传统文化 类型电影

2024

赤峰学院学报(哲学社会科学版)
赤峰学院

赤峰学院学报(哲学社会科学版)

影响因子:0.201
ISSN:1673-2596
年,卷(期):2024.45(11)