The historical inertia between New Mainstream Cinema and Main Melody films has fostered a ten-dency to equate New Mainstream Cinema with 'revolutionary historical themes' or 'significant national subjects.' However,this trend restricts the creative space of New Mainstream Cinema at a practical level,while also im-posing theoretical limitations,particularly by overlooking the profound relationship between traditional culture and New Mainstream Cinema. This paper uses Creation of the Gods Ⅰ:Kingdom of Storms as a case study to 'reconceptualize' the boundaries and possibilities of New Mainstream Cinema.
关键词
《封神第一部》/新主流电影/传统文化/类型电影
Key words
Creation of the Gods Ⅰ:Kingdom of Storms/New Mainstream Cinema/Traditional Culture/Genre Film
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