首页|从"岩栖"到山石意象的城市家具形式思考

从"岩栖"到山石意象的城市家具形式思考

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传统艺术中,天然平坦磐石可坐卧,卧石醒石的岩栖成为一种高雅的美学符号.苏州虎丘"千人坐"正是选择并发掘天然山石身体性、再赋予其人文性的典例,而园林中的叠石和山石家具则被有意赋予了家具属性和文人意味.文章基于传统山石的身体性与人文性,反思国内外现有的石家具设计实践.讨论兼具自然和传统之美的山石意象建筑景观作品,提出"离形得似"的山石真趣转译思路,即超越石的材料和形态,艺术再现山石之形和意,达到城市山石家具兼具身体性与人文性的效果,以期增添城市公共空间的自然气象.
"Rocky Dwelling"and the Form of Urban Furniture with Rock Imagery
In traditional art,natural flat rocks can be used for sitting and lying down,and the rocky habitats of lying down and waking up have become a kind of elegant aesthetic symbols."Qianrenzuo"in Tiger Hill,Suzhou,is precisely an example of choosing and exploring the physicality of natural rocks and then giving them a humanistic nature.And the stacking of rocks and the rock furniture in classic gardens are intentionally endowed with the properties of furniture andliterati meanings.Based on the physicality and humanity of traditional rocks,this paper reflects on the existing stone furniture design practices at home and abroad,discusses the architectural landscape works with the beauty of both nature and tradition,and puts forward the idea of translating the true interest of rocks by"getting away from the form to get the likeness",which means transcending the material and form of rocks and artistically reproducing the shape and meaning of rocks.This will help urban rock furniture achieve the effect of both physicality and humanity and add the nature of urban public space.

rocky dwellingrock imageryurban furnitureqianrenzuostacking stonesartistic representation

郭宇萌、李星熠、邵健

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中国美术学院建筑艺术学院

岩栖 山石意象 城市家具 千人坐 叠石 艺术再现

2023年浙江省教育厅专业学位培养模式改革专项课题

Y202354023

2024

中外建筑
中华人民共和国住房和城乡建设部信息中心

中外建筑

影响因子:0.519
ISSN:1008-0422
年,卷(期):2024.(4)
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