场景时代展览权条款的重塑
The restructuring of the right of exhibition in the age of context
史珂1
作者信息
- 1. 郑州大学 法学院,河南 郑州 450001
- 折叠
摘要
场景时代的到来致使展览权无法适应技术发展的弊端日益凸显.从文义解释的角度出发,我国《著作权法》规定的展览权仅控制线下实体展览,而无法控制场景时代催生出的新型展览行为.技术发展带来的新型展览形式正日益超过甚至取代线下实体展览,展览权的定义已无法适应社会发展.为防止展览权条款的名存实亡,有必要重塑展览权条款,建立公开展示权以全面控制新型技术发展下出现的展览形式,并明确将落入放映权和信息网络传播权范畴的展览方式排除在外.
Abstract
The advent of the age of context has increasingly highlighted the inadequacies of the existing right of exhibition in adapting to technological development.From the perspective of textual interpretation,the right of exhibition stipulated in China's Copyright Law only governs offline physical exhibitions and cannot extend to the new forms of exhibition that have emerged in the age of context.The new forms of exhibition brought about by technological development are increasingly surpassing or even replacing offline exhibitions,which has rendered the current definition of the right of exhibition unable to keep pace with social development.In order to prevent the provisions of the right of exhibition from becoming nominal,it is essential to restructure these provisions,establish a public display right to comprehensively govern the new exhibition forms arising from new technological advancement,and explicitly exclude the exhibition forms that fall under the categories of projection right and information network dissemination right.
关键词
展览权/公开展示权/场景时代/虚拟展览Key words
the right of exhibition/the public display right/the age of context/virtual exhibition引用本文复制引用
出版年
2025
NETL
NSTL
万方数据