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从民歌《丢丢铜仔》的音乐形态看闽台音乐关系

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民歌从文学和音乐上反映了一个民族的传统文化面貌,如两岸民歌在歌词和旋律上便反映了闽台文化血溶于水的现象.宜兰调《丢丢铜仔》是台湾民歌,却与闽南音乐有着千丝万缕的关系.在《丢丢铜仔》的历史溯源基础上,从民族音乐学视角,分析其闽南曲调色彩与闽客歌词交融的音乐形态特点,由此探源闽台音乐元素的关系,以小见大,窥见其在台湾社会的历史文化价值,及其音乐形态蕴含的闽台音乐文化关系.
The Musical Relationship Between Fujian and Taiwan in the Perspective of the Musical Form in the Folk Song "Diudiu Tongzi"
Folk songs reflect the traditional cultural aspects of a nation both in literature and music,and the folk songs across the Taiwan Strait,in their lyrics and melodies,exhibit the inseparable cultural ties between Fujian and Taiwan. "Diudiu Tongzi",literally meaning throwing copper coins,with Yilan tune,is a Taiwanese folk song,but it is intricately connected with Minnan mu-sic. By tracing its historical originsand analyzing its musical form from the perspective of ethnomusicology,this paper examines its integration with Minnan-style melodies and Hakka lyrics and explores the relationship between Fujian and Taiwanese in musi-cal elements,providing insights into its historical and cultural significance within Taiwanese society and the reflectionon the Fuji-an-Taiwanese musical relationship entailed in the musicalform.

Diudiu Tongzifolk songsmusical formthe musical relationship between Fujian and Taiwan

黄滢珊

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辅仁大学艺术学院,台湾新北 242062

《丢丢铜仔》 民歌 音乐形态 闽台音乐关系

2024

闽南师范大学学报(哲学社会科学版)
漳州师范学院

闽南师范大学学报(哲学社会科学版)

CHSSCD
影响因子:0.241
ISSN:1004-468X
年,卷(期):2024.38(3)