唐代乐人“善唱某曲”与词之生成?
On the Origin of Ci-poetry and Musicians′Favorite Melodies in the Tang Dynasty
王立增1
作者信息
摘要
唐代乐人存在一个普遍现象，即某个乐人善于演唱某些曲调。当这些乐人从事歌唱表演活动时，往往把文人诗歌配入自己擅长的曲调进行演唱。之所以出现这种情况，与当时音乐的创作、传承及接受有关。正是由于这一行为，促进了词体文学的生成与繁荣。具体表现在：形成了词牌及词牌的生存方式，导致了一调多辞与杂言的出现，使越来越多的文人积极参与依调填词的创作活动，从而激发了词体文学的大众化传播。
Abstract
Musicians in the Tang Dynasty were good at giving performances of their favorite melodies, this can be seen from the facts that some musicians would employ their favorite melodies to musicalize the existed poetry. This has a very close relation with the situation of music creation, inheritance and its spreading of the time. It is because of this reality, ci-poetry arose as a new literary trend and entered a stage of flourishing. This can be well expressed in the following aspects:the melody of ci-poetry came into existence;one melody is used to match many verses;essays appeared as a new literary genre;literati began to write ci-poetry according to the given melody. Hence Ci-poetry became more popular than ever before.
关键词
唐代/乐人/歌唱/词/生成Key words
Tang Dynasty/musician/ci-poetry/origin引用本文复制引用
基金项目
国家社会科学基金后期资助项目(12FZW031)
江苏师范大学校级重点项目(12XWA04)
出版年
2016
NETL
NSTL
万方数据